LizLessnerArtwork
Beijos de BorboletaBeijos de BorboletaRespiraçãoRespiração in useRespiraçãoRespiração Detail Fala Fazer / Speak Make 3-D RederingFala Fazer / Speak Make PrototypeFala/ Fazer Speak/ MakeBolsterBolster DetailBraceBrace DetailButtressButtress detailPilotiPiloti Detail1Piloti Alternate DetailPylonPylon DetailCaesar Shift ICaesar Shift IICaesar Shift IIICaesar Shift IV & VCaesar Shift IVCaesar Shift VA Block and Tackle of Lures, Reels, and Rodsa Block and Tackle of lures, reels, and rods w viewer detailA Block and Tackle of Lures, Reels, and RodsA Block and Tackle of Lures, Reels, and Rods with viewersA Fine and Private PlaceA Fine and Private PlaceA Fine and Private PlaceA Fine and Private Place DetailCoercionsSuggestPersuadeStrong-armStrong-arm detailStrong-arm detailSiren SongSiren Song detailRainboxRainboxRainbox detailStillsA crowded place, we stood thigh to thighWe were talking- side by side We were talking- side by side We were talking- side by side Traces of friendly fireTraces of friendly fireTraces of friendly fireCalves meet under the tableAs breezy as an airkiss  As breezy as an airkiss Stray Mizzling HourThe Stray Mizzling Hour Detail of EL PanelStray Mizzling Hour detail of reflectionUntitledUntitled in action 1Untitled in action 2Siren ISiren I installSiren I installIf Memory Serves- The Topophilia of IntimaciesThe Topophilia of Intimacies- Alicia & GuapamacateroThe Topophilia of Intimacies- Alicia & GuapamacateroThe Topophilia of Intimacies-Juan and NicholasThe Topophilia of Intimacies-Roberta and IainThe Topophilia of Intimacies-Roberta and IainThe Topophilia of Intimacies-Roberta and IainKaroo GesturesKaroo Gestures PensiveKaroo Gestures Pensive DetailKaroo Gestures PrayingKaroo Gestures Praying DetailKaroo Gestures Folded HandsKaroo Gestures Folded Hands DetailUntitled (in a hurry) Untitled (in a hurry)  DetailEpaulettesEpaulettes detailHammerboneHammerboneCommon China, A Country GentelmanCrawling, front viewCrawlingDriftingDriftingDriftingPullingCrawling, Drifting, Pulling
My research and work focus on the embodied and multi-narrative qualities of gesture and sensorial experience. They explore the ways that physical computing, materiality, responsiveness, and interactivity engage with contemporary discourses on the body, communication, and identity. Gesture is the fulcrum of this work, leading to sculptures and installations that are relational and responsive. By incorporating interactive components and responding to viewers’ gestures the work creates physical relationships between viewers and objects, activates bodily awareness, and invites viewers to invent ways of interacting with the work that I have not conceived. I am influenced by Lygia Clark’s Sensorial and Relational Objects which use ritualized and focused gestural performances to reframe the processing of memories, inter-personal interactions, and conceptions of self. By prompting viewers to enact gestures my work bodily engages viewers in what Carrie Noland characterizes as emotional muscle memory. By calling attention to the sensory and evoking the viewer’s memories, these objects create unique relationships between my sculptures and viewers.
My work uses four techniques that reference gesture as a means of engaging the viewer’s bodily attention: representation, enactment, interaction, and responsiveness. These objects and installations use sensory perception to reframe interpersonal interactions. They combine traditional sculpture materials with embedded electronics to create multi-sensory experiences that are sometimes interactive. These works consider social feedback loops, popular narratives of desire, as well as mythology and nostalgia and the fetishism that both imply. They explore negotiations of power and status, authenticity and performance, and preconscious affinities and desires through forms that unsettle and attract.